colorhadoo makes his amphia debut with two enticing tracks while cristi cons delivers the house s remix. on the a side we are presented with * j strawbberry*, an atmospheric track which slowly slips away into a mind-bending realm, where broken voices come and go under different shapes and the listener is engaged by occasional eclectic explosions. a beautiful work and trouble waiting to happen when properly used. side b has cristi cons taking the interpretation duties of the main track. the remix keeps the general mood of the original with a twist, everything is wrapped around a tight groove with shattering low end work, ideal for those early mornings. we continue with * zanzibar*. this second track on side b takes the artistic vision into reverse. no more voices to be heard, huge spaces are reduced to just a solid groove. the track is guided by hypnotic pads and sounds while the emblematic percussion section is conducted by none other than colorhadoo himself. dont listen to this in the dark!

the recent release of transfigured time, a compilation of tracks by six different artists - bakradze, akwaaba, general ludd, tenderlonious, jordan blacksmith and prequel.

releasing not very often, understand has always kept things in the dark about what is going to happen next. the wait is over and the fifth instalment of the series is named ebandogue and features 3 tracks from dubtil, one of today s best producers in the bucharest underground. ruling side a is opus ebant, an epic masterpiece, driven by a groovy bassline and subtle male choirs. this heavenly atmosphere goes from trippy to driving back and forth making it perfect for a peaktime moment that won’t be forgotten. may also be used in some worship places. debandada and epilogue share side b and besides the producer himself that is almost everything they share. debandada is kind of dark and experimental but full of energy in the same time with weird whispers and evolving hats keeping everything on the move. epilogue has a more positive approach, the general uplifing feeling is spiked ocasionally with a techno resonator and some background synths, and just like that, the random delayed male vocals make it so more interesting.

with his last ep offering on keinemusik, &me displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. you would think, such an universal and inexhaustible tune as this very “after dark” can only be a lucky hit. but no, he’s knocking out the classic material just like that. another example? catalog number km028, his brandnew “trilogy” ep. the titletrack on a initially places a synth arpeggio behind a kick that in dryness is hardly to excel. the beat of -trilogy- is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &me even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd. on the flipside, “woods” is living up to its name from the very beginning. woody percussions are thumping within an almost subtropical scenario that’s frequently pervaded by mighty synth clouds. and once again, there’s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. add a break building that will educe a floor’s complete euphoric potential without going for the rather mindless escalation and there you have it: a b-side that’s actually more of an a-competitor.

concept record alert! fairlights by fort romeau is a tribute to the - technically minded readers might raise an eyebrow - australian computer musical instrument that people like peter gabriel, herbie hancock or kate bush fell in love with during the late 1970s/early 1980s. anyways, if fort romeaus current album is like painting with oil, fairlights is like drawing with permanent marker- to quote the man himself. all based on the word saku, you will experience an epic journey evolving around heart-breaking dance-floor romanticism, jaw-breaking beat exercises, life-affirming ambient digressions, and a general feeling of spring fever.

recorded in a bunker somewhere in the ancient basque region, sagas of subterranean life is a collection of 5 sagas that are heavily influenced by scandinavian life and european culture in general. showcasing a versatile collection of 5 bits that range from moving distorted house jams to synth blops and violating techno, norse is not just a collaboration between soul notes head honcho kastil and rotterdam based gitchell moore, it s also a project that tends to avoid genre-restrictions and box thinking. odd sequences x violating drum patterns x palindrome titles = sagas of subterranean life.

sworn virgins is one of the many perverted projects from the blossoming mind of mutado pintado, legendary vocalist for paranoid london and save (the light was such a hit for us), head of warmduscher, general purveyor of chaos and diy videos. so this is all about rage and bits of broken down computer melted in tar, and this is probably our strongest release yet. we will let you look for what a sworn virgin actually is

the endurance club was launched in london on friday 13th november 2009 and ran as a regular party for the next three years. the aim was to treat electronic body music as an important genre in its own right rather than just a sub genre of industrial music, whilst linking it to early house and techno, belgian new beat and synthesizer dance music in general. body party is a tribute to all those that were part of the endureance club and to the artists that made the records we danced to.

berlin resident and general man-about-town, asa 808 has run parties supporting underground house and techno all over the city for years whilst simultaneously learning his craft as a producer and dj. ignorance, attachment and bad karma all beautifully capture the patience, melodic intricacy and raw functionality which characterises the finest dance music coming from this great city.

this release includes several musical stories, each of which is independent. each of the tracks by the author described individual history from life. in general, each of the tracks is partly dedicated to one of the friends of the author. and none of these stories will not leave you indifferent.

black rox is back with 2 more sneaky soft rocks specials that have somehow been liberated from locked cd wallets and released into the wild for general consumption. the a side sabu dance combines horns, flutes & percussion on this killer slice of midtempo funk from africa via berlin. this has been thoroughly road tested by soft rocks at their kinfolk night & never fails to get a great response from the dancefloor. side b. don t worry it s not the tantric one s ode to voyeurism but a rare as hens teeth slice of uk. reggae at is s finest. adjustments have been made sensitively and sounds have been chosen to carefully match those from the appropriate era. a perfect track for blissful summer evenings (yeah whatever!).

third in the fire department series, this 12 inch vinyl compilation pulls together an awesome selection of smoking old skool disco funk - guaranteed party-starters every one. red hot - dont miss!

following the success of the digital release of sleazy mcqueens *you know how ep*, upstart label, cvmr were compelled to press the remixes to vinyl. the proceedings open in superb style thanks to the revenges live dub. a bass heavy tool with equal parts classic house and disco, with a touch of arthur baker-style drums. on a2, sleazy mcqueens space coast take things to the basement with the help of romano arcaini (latenight society), warm rhodes, live bass and an absolute drum-break-freakout add a decidedly different dub flavor to the package. b/w compost blacks main man kasper bjorke offers his acid tinged interpretation, driven by a gritty saw-wave bass hook, rolling snare hits, wanderings arps and crunchy drums, a simply stunning piece of music as expected from the undeniably talented copenhagen born producer. closing out the remix ep, cvmr in-house producer, century strips back the vibe to a dropped tempo, emotive workout fuelled be heavily reverberated piano chords, echoing vocal lines and a general chuggy, low-slung vibe throughout.

valcrond video, the label run by sound and image artist luke wyatt (torn hawk), apresents vv-013 russos *wild metals*. russo (ari russo) is an nyc based multi-artist whose engagement with abandoned media finds an outlet in the video bursts he culls as officefern. as a programmer, he has produced innovative music generation tools such as the diamond arpeggiator. he returns to his own music with this collection of challenging and transporting structures. wyatt and vv are eager to endorse russos latest report on crossmodal perception, a true exercise in synesthesia. *wild metals* sounds like ferns and orchids infiltrating a tableaux of black plastic electronics, the breed of black plastic that russo and wyatt both found sinisterly inserted into the grid of their childhood. it provided the skin for some of their favorite toys, and its general resonance was aligned with the fast cars, women, and architecture that dominated their imaginations.

tommy four seven is back on clr with another challenging release, titled ox. featuring two original versions and a remix by oscar mulero, one of spain s most tireless and trendsetting techno ambassadors.as usual, tommy uses his profound skills as a sound designer and his do-it-yourself approach to sound in general to shape unique textures and haunting beats, which make his productions easily recognizable and compelling

medical records presents two of the most striking and iconic reissues in its catalog. the lp though 2 years after since the accident continues to carry the torch illustrating the evolving transition between experimental structure and loops into the catchy pop hooks that would later define such releases as rotund for success. this lp seems to move slightly into darker territory in general with its synth textures and slower tempo tracks but overall has a nice continuation feel from since the accident yet with obvious technological evolutions.

this is brothers and sisters, a summary of the sound of mister saturday night records to date. the album brings together all the artists who’ve released on the label – alex burkat, anthony naples, archie pelago, boya, dark sky, general ludd, gunnar haslam, hank jackson, keita sano and lumigraph – combining music made specifically for this record and tracks that have until now only been available on vinyl. (a special triple vinyl edition of all the unreleased tracks is being released in conjunction with the cd.)

classic is incredibly pleased to announce that a certain man of the moment has joined the classic family. *one* was brought to the attention of classic when it featured on vinyl only release late last year. ears pricked up and more information was sought. who was this man from nowhere - producing music that was modern yet soulful, funky - and best of all coupled with his own vocal talents. luke solomon then championed not only *one*, but the general excitement surrounding something that ticked all of his boxes. reminiscent of the old classic sound that reminded him of iz and diz, losoul and the like… seven was approached and not only offered classic *one* to re-release, but two brand new cuts featured exclusively here. an ep aptly entitled *friends* is the freshest thing that has been around for some time - and classic are proud to welcome seven into their ever expanding family.

mit *after dark: nightshift* serviert uns bill brewster eine angenehm-entspannte selektion elektronischer grooves, die er vorzüglich aus raritäten und exklusivem material zu einem wahren hörerlebnis zusammengesetzt hat. wir begegnen justus köhnke, as one und das blaxploitation orchestra neben bislang unveröffentlichten tunes von the grid & robbert fripp(!), the gino fontaine, mang dynasty oder den detachments, die allesamt von brewster für dieses album re-editiert und somit eine komplett exklusive angelegenheit sind. 2x12 inch virgin vinyl lp als limitierte pressung mit 12 von 18 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inklusive bonus-download-code mit allen tracks in wav/mp3-formaten, in antistatischen innentaschen.

one of these things is not like the others. put veteran producer and general madman eddie ruscha (aka secret circuit, laughing light of plenty, dadamunchamunky) in a studio with the spritely whipper-snapper diego herrera (aka suzanne kraft & 1/3 pharaohs) and your results will be nothing less than an epic jam. as the name blasé suggests, their laxadasical style and confident panache is abundant. the duo ease into their productions with a cool hand and an open mind, letting the moment take them somewhere foreign to bask in surreal surroundings, but not without documenting the trip.

you can tell label owner max m loves producers that arent afraid to experiment with the most hypnotic and mind bending properties of techno and electronic music in general. with seven release under its belt, its now obvious that grey series was conceived around a very clear idea: organic sounds, complete lack of stylistic restrictions and an overarching love for introspective and crepuscular atmospheres. the eighth 12inch in the series is signed by spanish producer tadeo, who follows a long list of releases on his very own cyclical tracks and another intelligence imprints with four caliginous cuts that belong to the brainiest and state inducing sets

a side with original title ep track meets dark groove, soft synths and catchy athmosphere together. also uk based artists, matt fear & kreature - the guys who have placed themselves on the worldwide house scene with resonance records, mexa records, nurvous records releases - are uniting the powers and deliver their version of the track, this is closing the a side. b side opens with low bass influenced remix of track by german based artist, gomma records coworker telonius. the key of this remix can be described as raw, linear and experimental. kevin over (noir music, defected) completes the b side and release in general. the dubby experience of melancholic notes with punchy sub bassline is a perfect banger for dj sets.

on perfect view, swedish producer hannes norrvide returns with his third full length and it is warmer and more inviting than any of his previous work. the album is composed of largely instrumental pieces, focusing more on beats, samples and general ambiance than its predecessor, last years growing seeds.

jose cabrera and fred p split the first installment of the perception series. the determinism ep sees jc and fp giving their slant on principles of quantum level events through sound. raw and driving, this ep is a more than an adequate dj tool, it is a formula for the transportation of the subconscious. determinism is a metaphysical philosophical position stating that for everything that happens there are conditions such that, given those conditions, nothing else could happen. “there are many determinisms, depending upon what pre-conditions are considered to be determinative of an event.” deterministic theories throughout the history of philosophy have sprung from diverse motives and considerations, some of which overlap. some forms of determinism can be tested empirically with ideas stemming from physics and the philosophy of physics. the opposite of determinism is some kind of indeterminism (otherwise called nondeterminism).

a grand return once again to both deep moves and music in general for parris mitchell. we are proud and honoured to present juke joints vol two with three brand new original tracks from the chicago legend, his first new material since 1997!

20 years ago the track unfuture, released on sven väths imprint eye q, marked a milestone in technoproductions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has!

compilation w/ acts & bands that played at the off istanbul festival...incl. acts like grup ses...the comp. is especially interesting for the tracks by the acts daire 2 & klaustro...check it out!

de:tuned is the new label of djs, record collectors and party promoters bonny (ruben boons) and konnekt (bert hermans).the label is an extension of the de:tuned parties which they have been organising since 2009 in and around antwerp (belgium). de:tuned stands for proper old school club music, whether its techno, acid, rave, house. de:tuned is about quality music in general. previous guests at the de:tuned events include ben sims, dave angel, mike dred, robert leiner, cj bolland and frank de wulf to name but a few.

20 years ago the track *unfuture*, release on sven väths imprint eye q, marked a milestone in techno productions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has! alex grabbed the vinyl out of his vinyl-collection after years, did an edit for his own, sent it to pascal feos who produced the original back then and who really liked this edit and the idea in general, and so alex decided to start a remixproject on this pure classic track with young, but also established artists who were not afraid of taking the adventure to remix a track that actually consists of nothing more than a distorted kickdrum, a really monotone off-beat organ sound and an oldschool acidline. here we are with the first part of the repaints of this alltime-classic, coming from uk techno-heavywight and legend mark broom with two interpretation as well as berlins uprising and promising vault-series mastermind subjected. true and high class recycling again on credo to save our planet from bad music

a new set by the coolest chap in new york city documenting the before-and-after development of a solo electric guitar piece that alan licht has been playing out for last four years. revered for his work in the blue humans and text of light, and a key figure in his generations pantheon of experimental solo guitar players (such as jim o rourke and oren ambarchi), four years older is his debut editions mego release, representing another peak in a career of mining the rich seams of minimalism, noise and avant-garde in general that stretches back more than two decades.

june returns with a second release on his homonymous label with dont be seen with me ep. this collection of pieces is characterized by an 80s aesthetic approach with protohouse elements, wavy synth lines and a general spacey atmosphere. >if i were you id be out of town, why oh why are you hanging around?<

take a long and wistful stare out of routines window. beyond the urban sprawl and endless nine-to-five tape loop, pass the minds monotonous prattling and humdrum hum of breadwinning, losing and general existing, somewhere out there burns a summer eternal, with all its romances still in tact. a place full of sweaty nights and protracted lazy days where the breeze teases with salty lips, and the sun leaves its freckled kiss on basking knees and cheeks. this is where everything happened just so, where bittersweet memories were made and mistakes first revealed their lessons. here is where you can think, reflect or simply escape. here is your exit.

brimming with subversive energy, searing wit and gallows humour, *luftbobler* is the debut album by dinos chapman. consisting of 13 tracks of electronic schlampige musik, *luftbobler* is the result of a decade of experimenting with sound. inspired by insomnia, horror movies and boredom, and made in a diy fashion in the basement of his east london home, *luftbobler* reflects dinos chapmans interests in the industrial pulse of throbbing gristle, willful experimentation of stockhausen and impish playfulness of squarepuscher, but sounds like none of them.

tropics a.k.a. chris ward first appeared on planet mu last year, following up two eps with the album parodia flare. commended by pitchfork for his lush soundscapes and hazy pop, whats clear with tropics is that he listens to a lot of dance music and he cares about production values. the synth and beat programming is as competent as anything out there, and he avoids lazy indie stylings and one button bontempi organ beats – his are crafted songs, much of the pleasure lying in his gift for dynamic arrangement, which is a joy amid rafts of useful formulaically assembled house tracks.
in common with the general post-financial collapse vibe there is less sunshine in this ep than before, and he has absorbed something from a year of intensive house music listening, but chris essential qualities remain a forward-looking wistfulness, hope beneath melancholy, something even more acutely needed now than before. oh look! here comes winter.

a grand return once again to both deep moves and music in general for parris mitchell. we are proud and honoured to present juke joints vol two with three brand new original tracks from the chicago legend, his first new material since 1997! record comes as a special marble/splatter vinyl with plastic sleeve. essential & highly recommended!

vae victis cant hide their love and passion for raw house and techno. on this 5th release there is another fine selection of hybrids between styles perfectly expressing their love for genre bending music. durant exsists out of a small collective of producers with main roles for steve murphy, die roh and lucretio. the dove ultimatum, a 4 tracks ep of punchy analogue electronic music! on the a-side lay general motors and at ten, 2 broken beat electro techno tracks a la drexciya showing the hardest and most experimental side of the project. while on the flip the trio bring things on a housier field, though staying loyal to the a-side vibe by delivering 2 dark and obsessive raw house tracks.

both these tracks have been huge for the hot creations crew this summer at paradise and in ibiza in general.

footprintz are on a rich run of form right now, showing a craftsmanship in their songs that is so often lacking in modern day dance music. new single favourite game is set to further buck this trend when it drops on december 3rd (general release).

charted by audiojack, supported by dan ghenacia, sam russo, james fox, jon dasilva, norm tally, julian sandre, james johnson, sake shakir, michelle owen, jesus gonsev, audiofly, brothers vibe, davide squillace, m.a.n.d.y., dj terry.....deep edition recordings 2nd wax pressing welcomes a newcomer to the label in the form of acasual, a secretive producer, artist and designer originally from luxembourg and now based in germany, has been heavily influenced by the citys underground house & techno culture. acasual is a project focusing, among others, on music production without any limitations or specific genres, taking its inspiration from art in general. his sound is melodic and very expressive and always searching to keep it simple. the blue ep lays down 2 very cool deep house tracks with a great selection of vocals and grooves.

nice price deal !!! sinistarrs take on the sounds of his native detroit has landed him releases on goldies seminal metalheadz imprint and won the hearts of discerning drum & bass heads and general beat-lovers alike, combining the sonic qualities and raw aesthetics of detroit techno and electro with jungles schizo rhythms.
hit and hope present sinistarrs first non-dnb excursion in the form of the >cetra ep<. despite jumping tempos and styles, all 3 originals manage to remain coherent with sinistarrs catalog. the emotive synth chords, beefed up roland trs and human production ethic of 90s detroit are squeezed into the format of various current underground sounds in something altogether very unique.
at 135bpm, the title track cetra is drawn out progressive structure nods more to a classic rephlex cut than the majority of current club, or bass music with despite sharing a tempo and similar rhythms.
early dj suport from om unit, goldie, gerry read and dark sky

geliebte provinz: solodebüt des frontmanns von the weakerthans.
inklusive mp3-downloadcode.

general elektro / atelier records camp with pseudo-static, original berlin techno related sound scapes.

new york city darling pal joey is back with a new project called walk the dog and new single i cant.then holding things up in the rear are two mixes from xapy ha, the production team of label head sean holland and studio partner james general patton. these two brought you the b for bad remixes on shake dat booty, the first coco machete release, and pal joey production, ten years ago this june. this is, new york city, this is coco machete.

i am a pianist, composer, improviser, performing artist and a multitasking musician in life, currently living and working in reykjavik. i was born 1978 in seydisfjördur, iceland and have been playing the piano and keyboards since age of 9. my main focus and interest is in improvisation, composition and performance of music. how improvisation and composition can meet effortlessly as a creation of musical ideas and sounds. i am also thoughtful of the general passion & drive behind creation of things, in what way they are presented and passed on to people, in music, arts and life in general. since childhood i ve collaborated with a whole spectrum of artist, from obscure troubadours in the countryside to stadium bands, covering all fields og music, both in iceland and abroad. i have also composed and arranged a great deal of music for theater, film, art installations, performances and videos of all kinds. released my first album rask in 2002, and now i am currently composing and working on a series of records with solo piano music for radio bongo with improvised piano works i (broadcast01) as the first radio bongo release.

a new project emerges harnessing the collective powers of a trio of artists who are riding high at the moment on a collective base of success and pure raw talent - maya jane coles, george levings (commix) and alex jones (hypercolour, playhouse and many others.. ) as you would expect from such a high calibre project the music is nothing short of superb - the a side is a glorious nod to the classic tech house sound that emerged in the 90s - an exciting and vibrant time for house music in general, this untitled gem bumps along on an infectious groove with an underlying griminess keeping the vibe grinding along in all the right places. the flip side juxtaposes this rawness with a beautiful melancholic and melodically flecked early hours ride. a real mood piece with a definite sense of warmth to bliss out the dancefloor.

quakers is a hip-hop collective boasting 35 members which orbits around a core of three producers: fuzzface (geoff barrow), 7-stu-7 and katalyst.